In Teatro Micaelense – a gorgeous theatre at the heart of Ponta Delgada, the capital of Portugal’s Azores archipelago – Ben Chasny sits stage right and unspools deep, resonant arpeggios on his ...

MPTL Microplastics sing about Derek Jarman's garden, they're industrial folk & encourage violence, just not near the cellist ...

In interviews ahead of the release of this second full-length LP, Emma-Jean Thackray has spoken more than once of how making ...

2022 marks 25 years since the arrival of Brass Eye, and director Michael Cumming is heading out on the road to celebrate. He tells Neil Fox about the show, the tour, and all his memories Kunt & The ...

Mat Colegate celebrates half a century of Violent Future Sports that takes us all the way from Rollerball & Death Race 2000 ...

Bristol-based post-rock quartet summon the particular landscape of western Britain, finds Cal Cashin ...

Thirty years after its release, John Freeman looks back at an album fuelled by hatred which contains some of the finest songs of Steven Patrick Morrissey’s solo career John Mullen visits one of the ...

A decade ago CdY couldn't understand why people compared her music to that made by a man in his seventies, but after listening to the work of Scott Walker she found much she approved of, including ...

A quarter-century since Moritz von Oswald and Mark Ernestus founded Basic Channel, Rory Gibb reflects on the duo's fiercely self-contained and radically rhizomatic vision for electronic sound ...

During the earthly sojourn of Ziggy Stardust, Woody Woodmansey laid down the rhythm for David Bowie's mercurial backing band The Spiders From Mars. Here he talks Valerie Siebert through his 13 ...

Patrick Clarke meets Peter Wilkinson and brothers Michael and John Head in Liverpool to discuss the surprise return of their ...

The audiences of 20th century music were often split by genre into cliques and factions. Of all the concepts around music, the 21st century seems to have ditched that quicker than a Trump tariff. Few ...